by Milan – Fill your eye shadow stack and sharpen all eye pencils Pronto. You may need them next autumn, measured by the beauty look that can be seen here during the Fashion Week.
Mask artists set large bets for autumn 2024 and offer various insights into the topic, from wild and hard to the shiny and glamorous, due to the sweets, which are due to the sweets, the painting, minimal and strange and also strange.
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Prada Beauty’s global creative makeup artist, Lynsey Alexander, concentrated on the eyebrows for the show of the Fall 2025 brand to create the idea of ”Savage Beauty” that Miuccia Prada and Raf Simons wanted.
“It was very much about that,” said Alexander. “It really pushed a make -up artist out of a comfort zone because this was nothing traditional or classic. [The eyebrow] Was either removed and bleached or made black and strong. So a very strong statement. “
In particular, the extra darks are noticeable. In order to achieve the effect, Alexander could rely on brand new products that Prada publishes this month with the support of its beauty licensee L’Oréal. As a rule, reserved for eyelashes and liners, a mixture of the new Prada lines was first used in black and brown colors to fill the brows and to define the desired, square, straight shape. Alexander then built the texture – and the drama – with the new Pradascope eyelashes, which they also tipped on the roots of some models.
“The straightness gives her toughness,” said Alexander. “It is the anti-beauty that makes this so cool for the runway. A show is supposed to be an experience, it is a bit of escapism. There are not really many other places in beauty where you can cross the borders. So I really enjoy having this kind of liberation. “
A Sense of Toughness So Informed the Dark, Graphic Eyes Seen at Lucie and Luke Meier’s Last Show for Jil Sander, While Eyes Took A Decisive Shinier and More Glamorous Turn at Roberto Cavalli, Where Makeup Artist Diane Kendal Mixed Pearly and Matte Rose Long Lasting Eyeshadow Stick and Smuded Them in an Elongated, Cat-Eye Shape Emphasized by a Burgundy Kajal and Mascara.
In the same way, creative director David Koma commissioned to give the shiny, smoky eyes for his Runway debut at Blumarine, Patrick Glumarine. Smooth hair refreshed the familiar trend in a simple and yet effective way and added a blue touch to just part of the lower lid or on both.
Yadim Carranza from Marni was more spacious with colors and textures. He did not hold back to create unique looks for various models that ranged from colors to ultra-high eyebrows.
The same applies to Lucia Pica, which testified the general natural make -up of most models at Bally with some eccentric accents here and there, in which the eyes are exaggerated with a black line or covered the entire face in the silver glitter.
For a sweeter but still striking approach, take a look at Fiorucci, in which part of the multiplying box had fun that Vanessa Icareg created about Kikos Smart Color Ly Shadows. The make -up artist played with Sky Blue, Green, Mandarine, Peach, Candy Pink and Lilac Shades, “to channel the feeling of the care of the people who are on vacation,” she said.
Even at Sunnei, where the natural complexion perfected with Lord & Berry products was in focus, the jury Schiavi could not resist, give a handful of models to a little shine about crystal applications that receded eye eyelashes.
Not chic enough? Make -up master Inge Grognard for an additional drama. At Diesel, she often created colored eye looks and emphasized the other trick that she used at the brand’s shows: alien-like contact lenses.
Launch Gallery: The best eyes -Make -up
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